0
Skip to Content
Apex Percussion
OUR TEAM
About APEX
Jake Lyons
Chris Parker
Konstantine Vlasis
Marcus Neudigate
PORTFOLIO
SHOP
CONTACT
SUBSCRIBE
Apex Percussion
OUR TEAM
About APEX
Jake Lyons
Chris Parker
Konstantine Vlasis
Marcus Neudigate
PORTFOLIO
SHOP
CONTACT
SUBSCRIBE
Folder: OUR TEAM
Back
About APEX
Jake Lyons
Chris Parker
Konstantine Vlasis
Marcus Neudigate
PORTFOLIO
SHOP
CONTACT
SUBSCRIBE
SHOP Ablation - Percussion Quartet + Tape Track
Screenshot 2024-07-13 at 10.06.20 AM.png Image 1 of 2
Screenshot 2024-07-13 at 10.06.20 AM.png
Screenshot 2024-07-13 at 10.07.09 AM.png Image 2 of 2
Screenshot 2024-07-13 at 10.07.09 AM.png
Screenshot 2024-07-13 at 10.06.20 AM.png
Screenshot 2024-07-13 at 10.07.09 AM.png

Ablation - Percussion Quartet + Tape Track

$65.00

Ablation is scored for four pedal glockenspiels, four bass drums, and tape. Conceptually, this work centers on the rapid melt of ice masses and the process by which ice calves from the terminal face of a glacier. The interlocking rhythmic structure alongside the muted/unmuted pedal feature of the glockenspiels are meant to distort listeners’ sense of time, and represent a shift in time-scales. The oceanographer John Englander refers to this temporal precarity as hyperglacial—a new era in which glacial melt occurs extremely quickly (rather than at its normal, “glacial” pace). The sound design of the tape track embodies this hyperglacial reality as all of the featured sounds are recordings of Vatnajökull (a glacier located in Southwest Iceland) and its adjoining soundscape.

Add To Cart

Ablation is scored for four pedal glockenspiels, four bass drums, and tape. Conceptually, this work centers on the rapid melt of ice masses and the process by which ice calves from the terminal face of a glacier. The interlocking rhythmic structure alongside the muted/unmuted pedal feature of the glockenspiels are meant to distort listeners’ sense of time, and represent a shift in time-scales. The oceanographer John Englander refers to this temporal precarity as hyperglacial—a new era in which glacial melt occurs extremely quickly (rather than at its normal, “glacial” pace). The sound design of the tape track embodies this hyperglacial reality as all of the featured sounds are recordings of Vatnajökull (a glacier located in Southwest Iceland) and its adjoining soundscape.

Ablation is scored for four pedal glockenspiels, four bass drums, and tape. Conceptually, this work centers on the rapid melt of ice masses and the process by which ice calves from the terminal face of a glacier. The interlocking rhythmic structure alongside the muted/unmuted pedal feature of the glockenspiels are meant to distort listeners’ sense of time, and represent a shift in time-scales. The oceanographer John Englander refers to this temporal precarity as hyperglacial—a new era in which glacial melt occurs extremely quickly (rather than at its normal, “glacial” pace). The sound design of the tape track embodies this hyperglacial reality as all of the featured sounds are recordings of Vatnajökull (a glacier located in Southwest Iceland) and its adjoining soundscape.

© 2024 Apex Percussion. All rights reserved.

Website created by EDesign - Logo and branding by Bryan Harmsen